First, it won the 2013 Palme D'Or at the Cannes Film Festival. There are two things many potential viewers will know about Blue is the Warmest Color going in.
Adele, still fragile and in many ways immature, makes a mistake and learns that some wounds can't be healed by apologies. Once the honeymoon period is over, however, they encounter the choppy waters that await any long-term relationship. After finishing school, she moves in with Emma.
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The movie jumps forward in time, providing us with glimpses of key events in Adele's life. This leads to a friendship and, eventually, a torrid love affair.
When she masturbates that night, it's thinking of Emma.Īn unspecified amount of time later, they meet at a club and strike up a conversation. The older girl worms her way into Adele's subconscious. Although she doesn't know it at the time, Emma (Lea Seydoux) will become an important part of her life. One day on the street, her attention is galvanized by a passerby with blue hair. Likewise, she gains little satisfaction from a dalliance with a lesbian school friend. She finds the relationship fundamentally unsatisfying and ends it. Her "condition" is viewed by her friends as undesirable, so she does something with a boy to alleviate it. Early in the proceedings, this technique may be distracting but its strengths quickly become clear Kechiche forges an unbreakable intimacy between audience and character that nothing in the rest of the film will break.Īdele is a virgin. Kechiche relies on close-ups and extended cuts. The camera affords her little privacy, coming in far closer than we're used to. In a collage of scenes, we come to understand her position in school and at home. When we first meet Adele, she's a junior in high school. Watching Blue is the Warmest Color provides viewers with that rarest of motion picture opportunities: the ability to lose oneself in the life of another for three hours and to emerge having felt something. It doesn't seek facile resolutions and doesn't demand a happy ending where closure is a driving force. This is no romantic fantasy every note is credible. We don't simply watch as Adele lives her life we become a part of it, sharing her emotions and becoming complicit in her decisions. This may seem like a trite subject but, as brought to the screen by Kechiche and actress Adele Exarchopoulos, it's an almost overpowering experience - a movie that transcends voyeurism and invites empathy. It's difficult to overstate what director Abdellatif Kechiche has achieved with Blue is the Warmest Color, his powerful (if controversial) look into the life of a young girl as she experiences the highs and lows of first love.
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